Plug-in EMT® 250 Classic Electronic Reverb
-
L’emblématique unité d'effets de réverbération et de modulation numérique à leviers.
L'EMT® 250 Classic Electronic Reverb plug-in pour systèmes UAD-2 et interfaces Apollo est une émulation fidèle de la première unité d'effets de réverbération/modulation numérique sortie en 1976.
Toujours considérée comme l'une des réverbérations ayant le meilleur son jamais produites, l'EMT 250 continue de marquer de son immense empreinte l'histoire de l'enregistrement dans les mains de légendes de studio comme George Massenburg, Bruce Swedien, Daniel Lanois, Brian Eno et Allen Sides.Enregistrer et mixer avec la seule émulation de l'unité de réverbération EMT 250 certifiée par EMT Studiotechnik GmbH
Élaborer de riches effets delay, phasing, chorus et écho
Doter la batterie, les guitares et le chant d'un espace et d'une profondeur typiques avec le même algorithme que le hardware d'origine
Exploiter les fonctionnalités propres au plug-in telles que Dry/Wet Mix, Wet Solo et Hard bypass
UAD Demo Video
Voici le plug-in EMT 250 Classic Electronic Reverberator
Utilisée sur bon nombre de classiques
Le son de réverbération clair et ouvert caractéristique de l'EMT 250 est apparu sur un nombre incalculable de disques, dont Purple Rain de Prince & The Revolution, Spike d'Elvis Costello, et des albums modernes devenus des classiques comme Stadium Arcadium des Red Hot Chili Pepper. .
Exclusivement certifié par EMT Studiotechnik
Le plug-in UAD EMT 250 reprend l’algorithme du processeur matériel original extrêmement rare, conçu par le Dr. Barry Blesser et l’ingénieur industriel d’EMT, Peter Bermes*. Notre version logicielle, qui a été pleinement approuvée par EMT, modélise un exemplaire de référence issu de la collection qu’Allen Sides héberge dans le célèbre studio Ocean Way Recording.
Une polyvalence accrue par de nouvelles fonctionnalités
Le plug-in EMT 250 va bien au-delà du hardware d'origine, en ajoutant des fonctionnalités adaptées aux méthodes de production actuelles, telles que Dry/Wet Mix, Wet Solo et Hard bypass. Grâce à ces ajouts utiles, le plug-in EMT 250 est encore plus puissant que cet emblématique hardware.
“The EMT 250 works great on snares. Keep it short and tight to add some dimension, or use the four-second range with full pre-delay for ballad-type songs.”
– Joe Chiccarelli (Jason Mraz, Beck, The Strokes, Morrissey)
“Now I have UAD on everything, and I'm using the EMT 140 and the EMT 250 as effects – It's so much easier.”
– Ryan Hewitt (Red Hot Chili Peppers, The Avett Brothers)
“Forget any other plate emulation, the UAD EMT 250 could actually be the real thing. Deep, wide, and full of personality.”
– Rik Simpson (Coldplay, Portishead, Jay Z)
“The EMT 250 plug-in is amazing. It’s all over Norah Jones' record. I used it on every song, it's that good.”
– Jacquire King (James Bay, Kings of Leon, Tom Waits)
“I’m a really big fan of the UAD EMT 250. It’s so faithful to the original unit.”
– Just Blaze (Jay Z, Kendrick Lamar, Beyoncé)
“I use the EMT 250 because it has such a specific sound, and the UAD plug-in really does capture it.”
– Andrew Scheps (Adele, Red Hot Chili Peppers, The Duke Spirit)*Toutes les images et les représentations de l’aspect extérieur de l’EMT 250 original contenues dans le présent document sont soumises aux droits d’auteur de Bermes Design.Avis clients
D. Dustin
22 novembre 2024
Gorgeous sounding verb
This is a gorgeous sounding 80’s reverb whose character can work just as well with anything after the 80’s. It’s so beautiful and easy to use that is can give anything a musical sheen...
En lire plusJ. Keen
21 août 2024
The hype lives up to the name...or does the name live up to the hype?
Everything UA says this reverb can do, it does. A faithful reproduction off of an original EMT 250. Cant go wrong. The presets are fantastic.
En lire plusM. Breu
25 juin 2024
Fantastic Reverb
If you only get one Reverb plugin, this is one I'd suggest. It sounds great on everything and can do much more than just reverb as well. There's a reason the hardware holds so much value....
En lire plusD. George
22 juin 2024
EMT 250
This is an authentic reproduction of a classic. I understand only around 250 of the hardware units were ever made with resell prices above $10K, so this is a steal. The EMT 250 just...
En lire plusA. Kugler
15 juin 2024
Unique sound and design I don't want to miss
I never had the chance to put hands on the real thing, and I thought I had enough Reverb PlugIns - BUT the EMT 250 is killer! It gives me sounds I always was looking...
En lire plus -
Key Features
Fidèle reconstitution de l'EMT 250, largement considérée comme l'une des réverbérations ayant le meilleur son jamais construites
Exactement le même algorithme que dans l'original, réadapté pour être utilisé dans le plug-in avec le concepteur originel de l'EMT 250, le Dr Barry Blesser
Modélisé d'après l'EMT 250 de référence des studios United/Ocean Way Recording d'Allen Sides.
Effets de retard et de modulation de l'EMT 250 également inclus : Delay, Phasing, Chorus, Echo, et Space
Certifié par EMT Studiotechnik GmbH comme seule émulation authentique au monde
Fonctionnalités propres à la version numérique : Dry/Wet Mix, Wet Solo et Hard bypass
via l'icône lumineuse d'alimentation EMT
-
Avis clients
EMT® 250 Classic Electronic Reverb
D. Dustin
Gorgeous sounding verb
This is a gorgeous sounding 80’s reverb whose character can work just as well with anything after the 80’s. It’s so beautiful and easy to use that is can give anything a musical sheen that’s pretty much record ready. It’s not super versatile like say the Valhalla verbs, but what it does, it does in a top notch way. I have most of the Valhalla’s verbs, Sound Toys Super Plate, Pure Plate, the AMS verb, Echoboy, Lexicon, a custom spring reverb unit (hardware, like the ones Fender made in the 60’s) and a bunch of others. The EMT 250 is what I first reach for when what I need is a pretty reverb with sheen and character that sits nicely in the mix. I love Valhalla’s verbs but the UAD version sounds superior to Valhalla’s rendition of the robust true EMT sound that UAD nailed imo. If you want to hear an EMT in action as the only verb used on an album, check out Cyndi Pauper’s debut album (with most of her hits), She’s So Unusual. A song like “She Bops” uses a lot of it where you can hear the tail more pronounced, whereas “Time after Time” uses it (the hardware) in a less pronounced but magical way.
J. Erato
EMT 250
Amazing
J. Keen
The hype lives up to the name...or does the name live up to the hype?
Everything UA says this reverb can do, it does. A faithful reproduction off of an original EMT 250. Cant go wrong. The presets are fantastic.
M. Breu
Fantastic Reverb
If you only get one Reverb plugin, this is one I'd suggest. It sounds great on everything and can do much more than just reverb as well. There's a reason the hardware holds so much value.
D. George
EMT 250
This is an authentic reproduction of a classic. I understand only around 250 of the hardware units were ever made with resell prices above $10K, so this is a steal.
The EMT 250 just works.A. Kugler
Unique sound and design I don't want to miss
I never had the chance to put hands on the real thing, and I thought I had enough Reverb PlugIns - BUT the EMT 250 is killer! It gives me sounds I always was looking for. It is one of those Plugins that never sound bad and you can use on any instrument. It is rich and wide and natural. Recommended to every serious producer out there! Alex aka codename_alominium (guitar player, harmonica player, composer, producer)
P. Motyczak
Excelent !
Great ambiences, classic 80s tone ! Beautiful
L. Schiappacasse
Timeless Reverb and Effects
The UAD EMT 250 Digital Reverb plugin is an outstanding emulation of the first-ever digital reverb unit. Celebrated for its lush, smooth reverb tails and versatile effects, the EMT 250 plugin faithfully captures the unique character of the original hardware. With controls for reverb, delay, chorus, phase, and echo, it offers a wide range of sonic possibilities. The intuitive interface allows for quick adjustments, making it easy to add depth and space to any mix. Ideal for vocals, drums, and instruments, the UAD EMT 250 stands out as a must-have for producers seeking classic digital reverb with modern flexibility.
P. Mussche
mixing with the EMT 250
very creative and exiting reverb, works perfectly in my mixes
J. Avera
Kick Ass
I'll be honest, I heard that Brendan O'Brien used this bad boy on drums for many of those killer albums. It hasn't dissapointed.
J. blasko
Just turn it on
Just turn it on for guitar pretty good. Still learning to tweak. Got it on sale
S. Saied
Simple and Awesome
So simple and easy to use I’m really added that magic touch to my drum tracks. Within about 30 seconds of adding the insert, my drums came alive. The other river plug-ins I have a little harder to tame in my opinion, but not the EMT 250. I can see why so many people like this reverb.
L. Barbic
Wow
Stunning reverb
M. Schneider
a perfect reverb
I like the warm and authentic character of the EMT 250. It`s simply the best emulation on the market.
M. Palermo
The Best Classic Electronic Reverb
Há anos aguardo uma oportunidade para comprar um dos melhores reverbs que já conheci. Fiquei impressionado desde a primeira vez que o ouvi.
A. Lee
Melts into the music
That's how I hear it - somehow melding and merging with the dry mix in such a natural and very smooth / velvety way
D. Caruso
Mickeal Jackson
Cette reverbe était la Favorite de Mickeal Jackson et je le comprends
B. Spence
EMT 250 Verb
Great sounding reverb with easy use adjustment’s, for tweaking the good presets. Great complimentary to the EMT 140 (my snare go to reverb) and the Capital Chambers reverb.
T. van Vliet
Does it for me
Great versatile reverb. Loads of presets ready to use. Very flexible and feels like the reel deal.
A. Mtz
Smooth, creamy , ready to go !
i could laugh when people say : It’s realistic hahaha there’s no way to know the difference with this beautiful sounding reverb and the real analog machine. It hurts , but Digital have turn the analog down.
The only analog advantage is the palpable faders and that the machine “ burns “ in your own way , i know that. The plug is a sound that a lot of people
will have; it’s time to let the creativity distinct our sound besides the machine.
I put it in a bus track , send a voice track , instant magic , the reverb blends perfect , gave a gorgeous “felt” space
