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  • Présentation
  • Avis clients
  • 4.8/5
    (7319)

Prix tarif : $399.00

$79.00

Vous économiserez 80%

4.8/5
(7319)

Fuel your Creativity with Pro Instruments and Analog Sound

Elevate your productions with our curated collection of 22 UAD plug-ins and instruments — no UA hardware required.

From award-winning instruments like Electra 88 Vintage Keyboard Studio and Moog Minimoog to iconic 1176 compression and classic studio ambience effects — $3,384 in value if purchased separately — UAD Producer Edition offers everything you need to write, record, and mix chart-topping hits.

No Hardware Required

No Hardware Required

UAD Producer Edition plug-ins run natively on Mac or PC and work with any compatible DAW including Pro Tools, Logic, Ableton, FL Studio, Cubase, Studio One, Reaper, LUNA, and more.

Versions incluses

UAD Native
Fonctionne sur votre Mac ou PC sans le matériel d’UA.

Apollo Realtime & UAD-2
Fonctionne en mode accéléré sur les interfaces Apollo et les systèmes UAD-2.

Configuration système requise : les plug-ins UAD natifs fonctionnent sur macOS 10.15 Catalina ou une version ultérieure, ainsi que sur Windows 10 et 11. Consultez notre page d’aide dédiée pour connaître la configuration système requise.

  • Experience vintage-inspired synths packed with album-ready sounds
  • Add in‑the‑box grand piano, electric piano, and organ, indistinguishable from the real thing
  • Inject analog warmth and texture to vocals, bass, keys, and more with iconic tube compressors and EQs
  • Discover the fat sound of magnetic tape on your drums, vocals, and guitars
  • Explore ambience and space on vocals and instruments with hit-making plate reverb, tape echo, rotating speaker, and more
  • Capture the perfect take with an easy-to-use tube channel strip featuring EQ, compression, and mic preamp

Electra 88 Vintage Keyboard Studio

Get the album-ready sound of a 1974 Rhodes Eighty Eight Suitcase Mark 1 electric piano,* along with a fully stocked "vintage" studio of pro production tools — for in‑the‑box tones nearly indistinguishable from the real thing.

Moog Minimoog

Add the fat, musically expressive sounds of the most iconic synthesizer ever made — from Kraftwerk to Parliament-Funkadelic, Yes to Dr. Dre — with our industry‑leading expertise in circuit modeling, synthesis, and signal processing.**

Opal Morphing Synthesizer

An epic-sounding flagship synth that's perfect for producers, sound designers, and musicians, Opal is our analog-meets-wavetable synth that gives you huge-sounding morphing filters and powerful UA effects, for album-ready sounds, no matter how deep you explore.

Ravel Grand Piano

Perfect for modern music productions from pop to rock, R&B to hip‑hop, get album-ready sonics and inspiring playability with our breathtaking emulation of a Steinway Model B grand piano* that goes far beyond other piano plug-ins and sample libraries with its unprecedented realism.

Waterfall B3 Organ

Explore the world's most thorough emulation of the classic Hammond B3 organ and its companion Leslie 147 rotary speaker cabinet,* giving your music the same rich tone and three‑dimensional sound heard on decades of legendary albums.

Waterfall Rotary Speaker

Immerse yourself in the jaw-dropping sounds of the classic Leslie 147 rotary speaker cabinet,* and envelope your guitars, vocals, keyboards, and more in chewy, three-dimensional modulation effects — far beyond chorus and flange — for classic textures heard on decades of legendary albums.

1176 Classic Limiter Collection

Give character and punch to vocals, guitars, bass, drums, and anything else with three distinct versions of this easy‑to‑use limiter, used on more records than any compressor ever made.

Studio D Chorus

An exacting emulation of a late-'70s Roland Dimension D,* add the same "secret sauce" analog widening effects used by the likes of Stevie Ray Vaughan, Brian Eno, M83, and more, for stunning analog modulation textures — with the push of a button.**

Brigade Chorus

Flatter your guitars, vocals, and synths with the luxuriant analog modulation effects of a vintage BOSS CE‑1 Chorus Ensemble* and enjoy three-dimensional movement and shimmer.

PolyMAX Synth

Our vintage-inspired synth gives producers, sound designers, and musicians fat analog tones from the golden age of polysynthesis with warm, analog-modeled oscillators and filters, professional UA effects, and curated presets that easily fit into any genre — for album‑ready sounds instantly.

Century Tube Channel Strip

Enhance your vocals, guitars, synths, and more with a vintage-style tube mic preamp, simple three-band EQ, and optical compressor designed to give you everything you need to capture "first take" magic.

Pultec Passive EQ Collection

Featuring three astonishingly accurate Pultec EQs that are indistinguishable from the original analog hardware, get the same silky curves used by the engineers of John Mayer, Daft Punk, and Mariah Carey, on your vocals, drums, keys and more.*

Teletronix LA-2A Classic Leveler Collection

Get smooth, radio-ready vocals, guitars, and bass with three highly sought-after versions of the most famous optical tube compressor ever made — and the go-to for professional mixers worldwide.

Galaxy Tape Echo

Add subtle tape delay and colorful cacophony to drums, vocals, guitars, and synths with the definitive emulation of an iconic analog contraption used by everyone from Pink Floyd and David Bowie, to King Tubby, Scientist, and Lee “Scratch” Perry.*

Pure Plate Reverb

Experience UA's revolutionary plate reverb emulation in a simple, easy-to-use package — with all of the essential features. Revel in the sonic and mechanical nuances of the steel plate, transducers, and dampers, and give your vocals, guitars, strings, and synths lush, satisfying ambience.

Oxide Tape Recorder

Based on our award-winning Ampex and Studer tape machine emulations, Oxide Tape Recorder gives you the warmth, presence, and vibe of professional analog tape, with only the essential controls, so you can get sounds faster and make everything "sound like a record."

FAQ

Le matériel d’Universal Audio est-il nécessaire pour utiliser ces plug-ins ?

Non. Ces plug-ins fonctionnent de façon native sur votre ordinateur. Aucun matériel d’UA n’est requis.

Puis-je essayer les plug-ins UAD natifs avant de les acheter ?

Oui, des versions d’évaluation de 14 jours sont disponibles. Vous trouverez les plug-ins éligibles

Si j’achète un plug-in UAD, est-ce que j’obtiens une licence pour les versions native et Apollo/UAD-2 ?

Oui, pour chaque plug-in UAD prenant en charge les versions native et Apollo/UAD-2, vous obtenez une licence de chaque.

Je possède une Apollo ou une carte UAD-2, cela me concerne-t-il ?

Absolument ! Nos nouveaux bundles vous permettent d’acquérir nos collections de plug-ins les plus populaires à un tarif très avantageux, et les versions natives sont incluses pour que vous profitiez du meilleur des deux mondes. Les plug-ins UAD natifs vous permettent en outre d’enregistrer et de mixer partout où vous allez, sans que vous ayez besoin de brancher votre matériel UAD.

*All trademarks are property of their respective owners, and used only to represent the instruments modeled as part of UAD plug-ins.

**Use of artist names does not constitute official endorsement of UAD software.

Avis clients

UAD Producer Edition

Evaluation Globale

4.8/5
(7319)

j. muller

18 décembre 2024

GREAT AND FANTASTIC !

Je l'utilise en plugin sans matériel UAD et il fonctionne très bien ! Pas de latence, et un son extraordinaire. J'arrive toujours à trouver les paramètres qui correspondent au son que je recherche ! Toujours très haute qualité UAD ! GREAT JOB! Love from France !

M. Chiantone

9 décembre 2024

Perfetta!

Desideravo trovare un’interfaccia audio che potesse sostituire la mia Digidesign 003 e nell’Apollo X6 ho trovato più che una sostituzione, un supporto notevole di elaboratore del segnale audio inclusa la qualità accurata di tutto il pacchetto software, degli aggiornamenti tempestivi e dell’ampia disponibilità del servizio di supporto. Pienamente soddisfatto

A. Eden

7 décembre 2024

Why does it need an internet connection to work?!

I purchased this one to use as my go-to vocal compressor on various projects. I didn't knew that it requires internet connection, so i can't use it when i'm outside or on a plane. It's a shame that there's no option to transfer the license to my laptop directly. An AU unit also launches too long, because it connects to the internet every time.

And that would only be half the problem. After all, my Ableton Live won't even launch a project with these plugins unless I'm connected to the internet. So my go-to compressor paralyzes my whole projects, and if my internet connection is interrupted, the plugin stops and displays the message "DAW restart required", even if the connection is restored. It's a shame.

I don't rate it as 1 star, because they sound great, actually. But for me, as for traveling producer, it's impossible to use it all the time.

C. Morales Prats

6 décembre 2024

Amazing

the Best Pack Ever , sound Great Thanks UAD

M. alsuliman

6 décembre 2024

Thank you for this beautiful product and thank you for your excellence

Thank you for this beautiful product and thank you for your excellence

.

30 novembre 2024

sounds very clear and natural

I don't get the negative replys . it sounds absolutely clear and natural.. like all other UAD Instruments. This Piano Emulation is absolutely great !! thank you Universal Audio.

P. Tsai

28 novembre 2024

Best vintage gear plugin for producers

After using lots of plugins from other brand, this Producer Edition is my first step into UAD circles, the authentic vintage emulation has save me lots of time browsing plugins and finding what vintage gear plugins that suit my mixes. No brainier for sure, fast & accurate. Treat these plugins as they were the real deal, but portable & affordable.

F. Manteghian

28 novembre 2024

I like to see this VI develop more

I would like to see UA improve the Waterfall rotary speed midi options. I am used to Air's DB-33 organ, where it is easy to assign the rotary speed (slow / brake / fast) to an expression pedal, so you can play with both hands and change speed with your foot (left in my case). UA defaults to the rotary speed being controlled by the Mod wheel (so you have to take your left hand off the keys to modify it), or you can assign it to the sustain pedal but then it only switches between fast and slow. No "Brake".

Another thing is some people complain is about harshness in the upper frequencies. I notice that as well when the Vibrato is on, or when some of the upper drawer bars are full extended. I compared it to the DB-33 and where the Waterfall is sometimes harsh in the upper frequencies, the DB-33 is also harsh in the lower frequencies.

When it comes to the Leslie, however, the UA Leslie is far superior.

So I like this instrument very much and with little effort, it can be made to sound superior to the DB-33, but the lack of expression control for the rotary speed is a downfall that I bet would be issue to fix.

Also, so many people want plugins ported to Spark. I'm the opposite - I would love to be able to stack the Waterfall Leslie in Console, after a Unison amp plug-in, but that's not in the cards right now. Sure, I could add the Leslie in PT but then I am working with latency issues which is what Apollo handles so well. Native stinks when its the only option. We have paid a tiny fortune for these DSPs and I would like to use them to their max.

F. Manteghian

28 novembre 2024

I like to see this VI develop more

I would like to see UA improve the Waterfall rotary speed midi options. I am used to Air's DB-33 organ, where it is easy to assign the rotary speed (slow / brake / fast) to an expression pedal, so you can play with both hands and change speed with your foot (left in my case). UA defaults to the rotary speed being controlled by the Mod wheel (so you have to take your left hand off the keys to modify it), or you can assign it to the sustain pedal but then it only switches between fast and slow. No "Brake".

Another thing is some people complain is about harshness in the upper frequencies. I notice that as well when the Vibrato is on, or when some of the upper drawer bars are full extended. I compared it to the DB-33 and where the Waterfall is sometimes harsh in the upper frequencies, the DB-33 is also harsh in the lower frequencies.

When it comes to the Leslie, however, the UA Leslie is far superior.

So I like this instrument very much and with little effort, it can be made to sound superior to the DB-33, but the lack of expression control for the rotary speed is a downfall that I bet would be issue to fix.

Also, so many people want plugins ported to Spark. I'm the opposite - I would love to be able to stack the Waterfall Leslie in Console, after a Unison amp plug-in, but that's not in the cards right now. Sure, I could add the Leslie in PT but then I am working with latency issues which is what Apollo handles so well. Native stinks when its the only option. We have paid a tiny fortune for these DSPs and I would like to use them to their max.

S. Bakas

27 novembre 2024

Great sounds!

Trully amazing synth!

M. M

26 novembre 2024

Buen complemento

De lo mejor que hay, contento con este complemento

R. Albertsen

26 novembre 2024

Great Value

Perfect Plate for vocals, no fuss, no muss & no dust!

E. Berger

24 novembre 2024

Very realistic- It sounds sweet with everything

I am an Organist/Guitarist and I actually own a real Leslie. But of course you need a good sounding Room and several Microphones to capture it's magic, so I was looking for an alternative that is easier to set up, and most importantly, that can be played quietly with Headphones.
The moment I tried the Demo I was completely immersed. The mechanical Noise is spot on and I actually turned around to hear if my actual Leslie wasn't spinning in it's corner. A big plus for me is that it doesn't have a complicated Interface. Many Plugins of that sort let you change the position/angle and whatever of the microphones, as well as 1000s of parameters and I always end up tweaking myself to death. With this one, there are several distinctive presets to choose from, and that's it. Enough variety for different situations, but it's not overdone. And just like the real deal, it sounds good with EVERYTHING. Grand Piano, Rhodes, Mellotron, Guitar, Bass, you name it.
My only criticism is the price. I find the regular price a bit steep to be honest. But as there are several sales over the year, one can grab it at a discounted price anyway.
I strongly recommend it- especially for Hardware Guys who don't want to tweak endlessly.

L. Predator

20 novembre 2024

O 1176 original!

Minha procura por um plugin 1176 terminou! Sem mais palavras!

J. Mora Sánchez

15 novembre 2024

Excelente

En mi cadena de vocales trabajo la compresión en serie, siendo el 1176 el primero de dicha serie. (El segundo es el Teletronix LA-2A). Utilizo el modo "Bluey" por su excelente desempeño.

J. Mora Sánchez

15 novembre 2024

Excelente

El Teletronix LA-2A es mi segundo en serie en la cadena de vocales (El primero es el 1176). Utilizo el modo "Silver" porque me brinda una calidez increíble y combinado con el 1176 me permite controlar los picos mientras suavizo la dinámica general.

Tanto el 1176 como este LA-2A, los utilizo de como plugins nativos. Estoy ansioso de que saquen pronto los EQs API en versión nativa, porque de momento debo usar los de otra compañía.

J. Erato

15 novembre 2024

Studio D Chorus

Amazing chorus effects

J. Mora S.

15 novembre 2024

Excelente

En mi cadena de vocales trabajo la compresión en serie, siendo el 1176 el primero de dicha serie. (El segundo es el Teletronix LA-2A). Utilizo el modo "Bluey" por su excelente desempeño.

J. Mora S.

15 novembre 2024

Excelente


El Teletronix LA-2A es mi segundo en serie en la cadena de vocales (El primero es el 1176). Utilizo el modo "Silver" porque me brida una calidez increíble y combinado con el 1176 me permite controlar los picos mientras suavizo la dinámica general.

Tanto el 1176 como este LA-2A, los utilizo de como plugins nativos. Estoy ansioso de poder adquirir los falta en su versión nativa del los equalizadores API, porque me toca usar de otra compañía.

J. Mora S.

15 novembre 2024

Excelente

En mi cadena de vocales trabajo la compresión en serie, siendo el 1176 el primero de dicha serie. (El segundo es el Teletronix LA-2A). Utilizo el modo "Bluey" por su excelente desempeño.