Tube-Tech CL 1B MkII Compressor
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Le compresseur de prédilection pour les voix pop, hip-hop et R&B.
Développé par Softube, le plug-in Tube-Tech CL 1B MkII pour les Cartes UAD et les Interfaces Audio d’UA est une mise à jour de ce compresseur optique danois mythique utilisé par des artistes modernes tels que Kanye West, Rihanna, Jennifer Lopez, etc.
Avec ses nombreuses améliorations sonores et une nouvelle interface graphique haute résolution, le plug-in Tube-Tech CL 1B MkII a été repensé en employant la technologie de modélisation de composants et de traitement du signal la plus récente de Softube, afin de proposer une émulation encore plus complète et capturer ce classique moderne à lampe dans toute sa splendeur.Enregistrer et mixer avec la mise à jour d’une émulation d'un compresseur moderne classique, pleinement certifiée par Tube-Tech au Danemark
Rehausser les transitoires et conserver la dynamique avec les nouveaux contrôles de Compression Parallèle et de Coupe-Bas Sidechain
Appliquer une compression musicale aux voix avec le même processeur de prédilection utilisé par Kanye West, Rihanna et Jennifer Lopez
Apporter du corps et le caractère des lampes aux batteries, basses, guitares acoustiques et voix
Un Compresseur Optique Moderne
Processeur essentiel en studio pour une grande variété de styles musicaux, le Tube Tech CL 1B modernise ce compresseur optique classique chaleureux grâce à des paramètres d’attaque et de relâchement Fixe, Manuel et Fixe/Manuel particulièrement utiles sur une myriade de sources sonores. Du traitement léger des voix à l’accentuation de la dynamique et du claquant des batteries ou des guitares, l’approche vintage/moderne du CL 1B en termes de contrôle de la dynamique en fait un compresseur de choix pour les rois de la pop.
Polyvalence Accrue
Le nouveau contrôle de Compression Parallèle vous permet de traiter aisément une boucle de batterie ou une voix principale, tandis que la fonction de Coupe-Bas Sidechain garantit que vos sources resteront dynamiques en tenant les graves voraces éloignés de votre seuil de compression.
Nouvelle Interface Graphique Élégante
En plus des nouvelles fonctionnalités et de la révision du son, vous pouvez désormais manipuler votre CL 1B MkII depuis une nouvelle perspective grâce à une interface graphique audacieuse et qui vous sautera aux yeux — en particulier sur les écrans 4K et Ultra HD.
Avis clients
M. Di Lorenzo
5 septembre 2024
Just like the real... And I have both ¡
Tubetech compressor is an amazing unit, but I just could afford one of them. So I tried the UAD Plugin. It is incredible, I couldn´t notice any difference. The transparency, the...
En lire plusK. Osei-Badu
19 août 2024
Cleanest Opto you can get
If you want clean sounding vocals, while being okay with sacrificing the some color, this is the exact plugin your looking for. I use it on almost every vocal plugin chain and I cannot stop...
En lire plusD. Gashi
18 juillet 2024
Beast!
This plugin is incredible! It has an amazing sound and I love it. However, I miss having a native version since I work in different studios frequently....
En lire plusB. Bradford
14 juillet 2024
Great Sounding Compressor
Luv it!! Great professional sounding and Chris Browns engineer uses it in all of his vocals!
En lire plusT. Arantes
11 juillet 2024
Compressor ótimo para os vocais
Consegui imprimir uma sonoridade que já buscava a muito tempo
En lire plus -
● Caractéristiques Principales
La mise à jour de l’émulation d'un compresseur moderne classique, pleinement certifiée par Tube-Tech au Danemark
Un compresseur légendaire pour traiter la voix, prisé des plus grands artistes de pop, R&B et hip-hop, de Kanye à Jennifer Lopez.
Une polyvalence accrue grâce aux nouveaux contrôles de Coupe-Bas Sidechain et de Compression Parallèle
Mise à jour graphique haute résolution pour les écrans 4K et Ultra HD
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Avis clients
Tube-Tech CL 1B MkII Compressor
D. Carrasquillo
It deleted from my apollo twin
I bout it like a year ago and it’s not connected I guess to me Apollo twin, it tells me to start a demo even though I bought it.
M. Di Lorenzo
Just like the real... And I have both ¡
Tubetech compressor is an amazing unit, but I just could afford one of them. So I tried the UAD Plugin. It is incredible, I couldn´t notice any difference. The transparency, the gentle compression, the feeling is there. Like the HW unit, it is almost impossible to make something wrong with this plugin. Getting the right amount of compression is incredible easy. It is fixed in my vocal chain and mandatory in my bass when recording, and in almost every track when mixing. Its is one of the best plugins in my UAD collection. Thanks a lot ¡
K. Osei-Badu
Cleanest Opto you can get
If you want clean sounding vocals, while being okay with sacrificing the some color, this is the exact plugin your looking for. I use it on almost every vocal plugin chain and I cannot stop loving it.
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I love this compressor
But no native versuion really sucks
D. Gashi
Beast!
This plugin is incredible! It has an amazing sound and I love it. However, I miss having a native version since I work in different studios frequently.
B. Bradford
Great Sounding Compressor
Luv it!! Great professional sounding and Chris Browns engineer uses it in all of his vocals!
K. Kim
아주 좋은 사운드
저는 LA 2a 보다 CL1b를 더욱 좋아합니다. 증폭없는 사운드가 잘 정돈되는 컴프
T. Arantes
Compressor ótimo para os vocais
Consegui imprimir uma sonoridade que já buscava a muito tempo
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Great Compressor
Excellent Compressor definitely worth the hype
T. McCleary
The taste of the pudding is in the eating
If you are wondering why most successful producers use Tube-Tech CL 1B MkII on vocals, just get it and you will understand immediately
A. Pashka
The single best compressor plugin for vocals
This is my #1 vocal compressor, it’s so open, clear, and rich. If you love the musicality of LA2As on vocals, you should get this. It just has something special.
P. Tshiombo
INCOYABLE
INCOYABLE CETTE PEPITE;
V. SMITH
Amazing!
Big fan of the hardware version, this did not disappoint. Got it just in time for a vocal session and it was all I expected and more.
J. Blanco
No brainer
For me, is a no brainer, im really liking this compression, but i didn't use the original hardware, whatever its mark was, so i can't compare them.
Can say, that if u want a compressor for taming voices, without being so aggresive, u know -2 -3 dbs compression on low ratios for tracking and printing, for me, its the way to go, all over 2A really slight compression but taming spikes, and making the mid range not that harshy while keeping its character, if u are looking something like this, this is your compressorJ. Blanco
No brainer
For me, is a no brainer, im really liking this compression, but i didn't use the original hardware, whatever its mark was, so i can't compare them.
Can say, that if u want a compressor for taming voices, without being so aggresive, u know -2 -3 dbs compression on low ratios for tracking and printing, for me, its the way to go, all over 2A really slight compression but taming spikes, and making the mid range not that harshy while keeping its character, if u are looking something like this, this is your compressorJ. Blanco
No brainer
For me, is a no brainer, im really liking this compression, but i didn't use the original hardware, whatever its mark was, so i can't compare them.
Can say, that if u want a compressor for taming voices, without being so aggresive, u know -2 -3 dbs compression on low ratios for tracking and printing, for me, its the way to go, all over 2A really slight compression but taming spikes, and making the mid range not that harshy while keeping its character, if u are looking something like this, this is your compressorJ. Blanco
No brainer
For me, is a no brainer, im really liking this compression, but i didn't use the original hardware, whatever its mark was, so i can't compare them.
Can say, that if u want a compressor for taming voices, without being so aggresive, u know -2 -3 dbs compression on low ratios for tracking and printing, for me, its the way to go, all over 2A really slight compression but taming spikes, and making the mid range not that harshy while keeping its character, if u are looking something like this, this is your compressorJ. Blanco
No brainer
For me, is a no brainer, im really liking this compression, but i didn't use the original hardware, whatever its mark was, so i can't compare them.
Can say, that if u want a compressor for taming voices, without being so aggresive, u know -2 -3 dbs compression on low ratios for tracking and printing, for me, its the way to go, all over 2A really slight compression but taming spikes, and making the mid range not that harshy while keeping its character, if u are looking something like this, this is your compressorJ. Blanco
No brainer
For me, is a no brainer, im really liking this compression, but i didn't use the original hardware, whatever its mark was, so i can't compare them.
Can say, that if u want a compressor for taming voices, without being so aggresive, u know -2 -3 dbs compression on low ratios for tracking and printing, for me, its the way to go, all over 2A really slight compression but taming spikes, and making the mid range not that harshy while keeping its character, if u are looking something like this, this is your compressorJ. Blanco
No brainer
For me, is a no brainer, im really liking this compression, but i didn't use the original hardware, whatever its mark was, so i can't compare them.
Can say, that if u want a compressor for taming voices, without being so aggresive, u know -2 -3 dbs compression on low ratios for tracking and printing, for me, its the way to go, all over 2A really slight compression but taming spikes, and making the mid range not that harshy while keeping its character, if u are looking something like this, this is your compressor
