UAD Signature Edition Version 2
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UAD Signature Edition 2
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W. Santos
Perfect Plugin!!!
Hello!
I am a musician and audio engineer.
I always liked sounds more real and true, I depended on my masters from a studio that had a complete master, it was bad because I needed to adjust something and spent much more $ $, going up to the studio to resolve a detail. For a long time the hardware was indispensable for a good mix and master, with the UAD plugins solve everything in my home studio with the same quality and mainly Manley that for me there is no difference between hardware and plugin
it is perfect!!
D. Flores
PHAT!
Just dropping this thing over my mix makes everything just come together it sounds so nice! Highly recommended!
K. Yanagi
WOW！！
1176 Classic Limiter is So Good !! 1176 Classic Limiter is So Good !!
R. Hazell
LA-2A Collection
Haven't heard anything with this much analogue mojo in a compressor before. The UA plugs just keep getting batter.
A. Souza
Amazing!! Sweet!!!
The most amazing plugin ever!!! Make my tracks sweet!! Acustic guitars, voice and more.
J. Grefsrud
Awesome
This plugin is so good I'd like to use it on every channel! But the multi-unit Apollo-software is so buggy that I can't..
Hoping to be able to use it more after UAD 7.2.
T. Reis
Excellent
Finding its way on to more and more of my tracks. What can I say about this that hasn't been said before ?
S. Grush
Magical
This collection is super legit. From soft to heavy compression and everything in between, you need these in your mixing repertoire. My first instance of "wow" was using the Silver on a lead guitar. I was just fighting to get the lead to sit right and I pulled my entire chain a part and started over. Removed the outboard Distressor (which is super rare to do that) and the lead just sat well in the box. No EQ, just the Silver. I went back and carved the EQ a bit and it was polished like a gem.
Highly recommend.
S. Grush
Options Galore
This was the first purchase post Octo purchase for me. I was immediately in love with the compression versatility and options this bundle brings to the table. My first mix implementing these guys was much tighter than I can ever recall with other products. I'm very excited to have the UAD products in my tool belt and I'm really excited to hear the mixes I've always wanted to hear, moving forward.
T. Fitch
Best Yet!
I have so far been unable to find a digital reverb that didn't sound digital. Then I demoed the 422.
I have been fortunate enough to have used the 224 and 422 in the past. This is it. Again UAD gives us as close to the real deal as is possible. After a couple minor tweaks to fit the flavoe of each song, It just sits in the mix. It will be on every mix for a long time. Many thanks UAD!!
Todd Fitch
The Sound Shop Mobile Recording / Gigstream
S. Haney
best plugin to emulate distortion on compressors
I have tried loads of plugins, and although they can get pretty close like the waves version, once you start ramping up the gain, nothing comes close. To me this is what makes these character compressors so good to work with, you can use it almost like a reverb to get a certain spacial air to your program material, like drums or vocals, and this plug in delivers in spades! The price is amazing for what it can do.
S. Hughes
LA-2A heaven
I already had the original UAD-2 LA-2A that came bundled with the Apollo, and never considered the merit in buying it again as the new Classic Leveller Collection.
So glad that I ended up getting it though. Completely different beast.
UA has outdone itself this time and I feel they've perfected this classic box at long last, and while they were at it, they modelled three classic versions of this DREAM box for audio pros in the know.
I just used these for the first time on a session this week, on lead vocals, guitar, and even bass in the final mix, and that same track for Gold Record artist Noel Parlane is now already playing on air in Ireland, Germany and New Zealand and getting great responses from Radio officials.
That says it all.
N. Pitloglou
The holly "Three"
After purchased the LA-2A Classic Leveler Collection, I spent many hours trying to find which one sounds better. The point? Each one has its own magic depending on the usage. For example on different singers I found that I had better results with different revisions of LA-2A. Is it complicated? No. It's creative! Amazing colors, amazing compression.Highly recommended!
P. Giacalone
Brilliant! Powerful!
This plugs in is incredible. It is VERY different from the Studer A800 which I've had for a little while now. The Studer is very plug and play - it's hard to go wrong. There are different settings but they don't vary too drastically and they're all kind of moving in the same direction.
The Ampex is a whole different beast. It reminds me of working on a high end console. If you know what you're doing, you can do great things. if you don't.....you can make a royal mess. You just have to be more careful and pay more attention when using the Ampex. If you do, the results are phenomenal! I can't imagine mastering without it.
For anyone wondering - No, putting the Studer on your mix bus is not at all the same as using the Ampex.
J. Moreland
A little effort and you're in analog heaven!
While at a session in L.A. last week, the band and I over the songs a few times as the engineer was getting tones and recording them to Pro Tools (sounded fine). Then we tracked the keepers onto a 2" Studer machine. I couldn't stop grinning after hearing my kit played back through that deck (it's been so long, I'd forgotten what tape does for drums). When I got home I started the A800 demo, tracked some drums and right there in front of me was that sound. Subtle on the overheads (like they were EQ'd - with really awesome EQ), more pronounced on kick & snare (the body of the drums were pulled forward, whereas it was mostly attack before). The price kept me from trying this out before. Don't be stupid like me, buy this. I finally did.
D. Dipietro
How many LA2's do you need?
My inclination was to skip this since I already had the stock LA2. Why do I need more versions of a compressor I've already got. Then of course with the 14 day trial I decided to experiment. Throwing the Gray faced on a kick I recorded for a punk band and changing the emphasis control was all I needed to convince me it was worth the money. That control alone is worth the price for me.
I put the LA2 on everything low end and the emphasis control is now a necessity and the stock LA2 gets very little use.
J. Chaney
Very nice indeed
Look, Feel and Sound ! the GUI just takes you in with all the quirks of the real thing. its elegant across the board. Much better than waves with color options and cpu power. Just get it and stop thinking about it.
M. Linda
Great
Great on vocals, great on bass. Really major step from the old UAD L2-2A plugin.
R. Lebbos
Very good product
Amazing emulation !! I have 2 distressor, a Hardware LA-2A and still the Rev A is most of the time the best choice for vocals.
I love it, as much as I love the A800 studer, the EMT 140 and the massive passive.
C. O'neal
Now I understand
I've only been engineering my own music (well) for about 2 years now. Yet in still... I never understood what people meant by "mastering plugin". It just didn't make sense to me. Doesn't every EQ do the same thing??? Why on Earth would I spend extra money to have a "mastering" grade EQ when I have plenty of EQ's already.
Then I demo'd Manley Massive Passive.
I get it now lol. Slap it on my master bus... and I can pretty much dictate the exact sound that I want to give my mix. I don't know what's under the hood... but there's something about this EQ that just sounds amazing on the master bus. It's the perfect weapon... and it's taking me from good music to great music, Thanks UA. Job well done.