UAD Signature Edition Version 2
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UAD Signature Edition 2
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A. Kirakosyan
YES YES YES this is really the best plugin for me.
This plugin I use everywhere.On drums, on basses, on vocals etc.
A. Kirakosyan
Best Buss Compressor
I Love API 2500 compressor on UAD 2.The sound of this plugin is just great.
E. Ananda
4 words
One of a Kind!
A. Holovatyy
Great sound !!!
My bass and vocals are great !!!
I. Muller
A great multitool
Never used the original, but now i have some alternative to my Neve+LA2A vocal combo. Will give it more time.
I. Muller
Briliiant as always
This is a very well sounding plate. Basically thats it. It is colored, it fits well in context. I like it, even tho i do not use a lot of plate verb in my mixes.
D. Rouge
Great sound
Sounds very similar to hardware. Great reverb plugin
R. Spiegel
Good plugin, highly overpriced hardware
Good plugin to achieve silky sounds. Nevertheless, two stars deduction due to the highly overpriced hardware (UAD satellite,...) necessary to run all the uad plugins. It's also no comfort to get additional plugins with the purchase of the hardware if you already have these uad plugins or the ones of the alternative list. Therefore, i'm far away from applying all the uad-plugins I want to insert in a project and more and more I'm forced to use native plugins.
.
Super
Qualité presque aussi bonne que le hardware, assez bluffant.
D. Stevens
chorus for all of us ...
very nice for bass and for dialing in a kool 'lo-fi' effect
S. Pedneault
Allways on!!
Awsome on the Master Bus!!
J. Kitcher
Magical
I've not used it much for mixing yet, mainly mastering. While you have to be careful using MMP (because it does colour), it really can give a track that final 'wow' factor. I'm finding it to be less suitable for busy dance arrangements (prob more suitable in-the-mix), but for my ambient it takes my music from 'good' to 'great'.
G. Strickland
It has a thing you are going to want
I use this on every master and sometimes on sub group bounces. It adds an instant quality. I don't understand how it does that but that's not important. If you are considering it I'd say do it. I'm glad I did
.
WOW!!
Didn't expect much out of this, but this little guy is niiiiiiice!!!! I wish there was a mix or dry/wet knob on it.. But it's definitely a great sounding chorus.
P. Ranjbar
The Best O Vocal
With this plugin, I'll do some great work on the voice of the reader and other sounds
A. Evtimov
Ampex addict
The magic glue!
A. Blaze
Must Have!
Of course i`ll be not the one who says it`s a fantastic tape emulation! So suitable for the mastering purposes... just change the speed and hear the differnce! Yeh, It`s digital thing with gorgeous analouge taste!
m. james
Deep.
It does what you think it would and a little more on all buttons in. Nice depth and width added.
C. Wandzilak
UAD is out of control
Worse than Apple I tell ya! I bought this thing in a bundle sale because I have a UAD plug-in problem. You own me because I own you, all you’re plug-ins anyway. The Distressor is well…the one and only DISTRESSOR! It does anything to everything and back again. Drums are boom-bastic, bass can get downright dirty, and everything is just covered in saturated bliss OR not depends on what you're trying to achieve but the Distressor excels at bringing sounds to life by crushing the shite out of them! I’ve never owned this “swiss army knife” but now I know why it’s in just about every studio and I’m thankful (kinda) UAD partners with the studio “staple” hardware manufacturers to bring these tools to the average Joe. EL/UAD partnership makes perfect sense as EL has overtly bragged about emulating UA’s classic hardware for years. Either way, a clean yet dirty little plug that yields drastic results with the smallest adjustment which is probably why some users have a difficult time with it. It's not a one knob, one (amazing) trick pony like the LA2A, therefore you have to listen carefully as you dial in your desires. It’s for that reason I don’t necessarily track with it…just yet. It’s very easy to do more damage than good in the wrong unexperienced hands (ears) which is likely a big chunk of UAD’s audience-me included. It can be transparent but again, you can go down a slippery slope with the saturation and the ratios during a perceivably transparent vocal tracking session-can’t undo it so I save it for the mix. Still honing my skills with this beast but it works wonders on everything in parallel which UAD caught onto thus adding a “mix” knob. Distressor does a phenomenal job emulating LA2A/1176 but there is still some sonic differences that I can’t quite put my finger on but its close. You could spend hours in this sonic playground with a drum loop that could send you into psychosis but you only have 335 more hours to dial it in before the DEMO expires. Couldn’t pass it up during this sale. If you have a creative bone in your body, you want this.
C. Wandzilak
Compression for Dummies
LA2A=PCC. Print Compression with Confidence. For me, the scariest part of tracking with compression is committing to screwing up the perfect take by choking the dynamics with a more “versatile” compressor. The LA2A won’t let that happen as over cranking the one knob even sounds good. Don’t burn the sound with the legacy plug, you’ll want to upgrade to the Silver LA2A. You might not hear it now but there’s a magical level of depth, clarity and warmth/saturation the LA2A adds to any instrument that just pulls the sound from the speakers like a hologram. Sure, you can mangle it with a Distressor or nuke it with an 1176 but all those knobs and buttons, for better or for worse, alter the sound in a way that should be reserved for non-destructive mixing, and the legacy 1176 works great for that after the fact. This does not apply to the seasoned engineer with the golden ear but to the rest of us amateurs armed and dangerous thanks to UAD. SM58 (or any $$ mic of your choice)+1073+LA2A+talent=WINNING! Focus on the take, not tinkering while tracking and if you can’t get a killer take with that you probably need to buy more plugins-j/k. It’ll happen anyway. BTW, do I get a coupon for leaving feedback?