UAD Signature Edition Version 2
Avis clients
UAD Signature Edition 2
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i. sözüer
MUST HAVE !
The channel strip is one of the best there is, I have the ssl channel strip too, but after I owned Api, I only work with that. The Guys from UAD have really done a good job. API console in the box, what more could you want
J. OBrien
One Of my favorite plugins
I use this plugin on almost every track I mix. It’s super versatile and can make almost anything sound better especially on a mix/master bus. Amazing job by everyone involved in creating this. I have a bunch of other tape emulations but this is by far my favorite one. If you are thinking about buying it you should you won’t regret it.
C. Parker
That sound you’ve been looking for
Ever felt like your recorded vocals were missing something? Well that ‘something’ is the Teletronix LA-2A.
Being a diy musician is tough but with having the LA-2A, you can relieve some of the stresses that are often found during the mixing process. It provides a smooth and warm characteristic to the vocals giving you that ‘Radio Ready’ sound that
you’ve been looking for.
D. Formula
Welcome to classic compression/limiting
Remarkably faithful recreation of these beautiful and characteristic units.
E. Bureau
Upgrade to the pro!
I've been using the legacy version for some time and really liking it, especially on vocals. The updated version sounds way way better than the legacy version. I demoed it for vocal recordings, and first thing that hit me was how 'classic' a sound that was. Instant buy after that. Exactly how it should sound, and how I recognize it from countless 60s records. I was running a U67 into the Neve Preamp plugin, then into the Teletronix and then on tape, committing everything on the way in. You're never afraid to commit to a certain sound, when it sounds so classic! It's also great on acoustic guitars. Between this the Fairchild 670/660, and tape-compression, I don't think that I will ever need another compressor.
E. Bureau
Upgrade to the pro!
I've been using the legacy version for some time and really liking it, especially on vocals. The updated version sounds way way better than the legacy version. I demoed it for vocal recordings, and first thing that hit me was how 'classic' a sound that was. Instant buy after that. Exactly how it should sound, and how I recognize it from countless 60s records. I was running a U67 into the Neve Preamp plugin, then into the Teletronix and then on tape, committing everything on the way in. You're never afraid to commit to a certain sound, when it sounds so classic! It's also great on acoustic guitars. Between this the Fairchild 670/660, and tape-compression, I don't think that I will ever need another compressor.
E. Bureau
Upgrade to pro!
I've been using the Fairchild 670 Legacy as my go-to compressor ever since I started on the UAD platform. Recently changed to the pro-version, and it just sounds much more real. The added feature-set and the inclusion of the 660 is also really appreciated. It is really a great sounding piece of gear, and I prefer the emulation of this over most hardware-compressors I've worked with. I never had the chance to work in a studio where they had a real Fairchild, but when that day comes I will have completed my training in the 'simulator'. Until then, I choose the 670 over almost every other hardware compressor. My UA 1176 hardware comp for example haven't seen much use since I got into the 670/660 plugin. It's glorious on bass, superb on the drum-bus and really nice for mastering.
E. Bureau
Upgrade to pro!
This plugin is a no-brainer. The legacy version has pretty much become my go-to EQ since I started on the UAD platform. Super musical and creative but at the same time easy to work with. I recently upgraded to the pro version, and the difference is really substantial. It really sounds great on anything. If I want the EQ to give less 'color' to the source, I sometimes still use the Legacy-version (or a different EQ). But usually the pro version is an improvement to what-ever is fed into it. The added output-gain is super useful for gain-staging between the plugins and the addition low/high cut-off filter plugin is also really helpful, and I end up using it surprisingly often.
K. Olechowski
Definitely worth the money
Great for treating acoustic instruments/vocals. For long-tail type of reverb (i.e. sound design/ambient/cinematic stuff etc.) it might be not always your first choice but it will certainly bring a beautifully and organically sounding space to your live recordings.
B. Molbassin
Сәлем Қазақстаннан! Hello from Kazakhstan!
Thanks for this plugin. Өте керемет, ұнады! +77753301121 Бауыржан
l. ray
Fairchild tube limiter
une fois de plus je suis surpris par la qualité de vos plugins. J'adore ce plugin, je l'utilise énormément et Je ne vois pas pour le moment de problème majeur. C'est le jour et la nuit, pour mes mixes. Une fois de plus ....super! merçi.
L. Rushton
Not sure where I'd use it
I haven't played around with it too much, so far. With what I've done, I think it may have some potential, but I'm a bit lost at the moment to see where to get it into operation.
O. Smari
Great chorus
Does what it’s supposed to do. I’m very happy with it, can recommend!
A. Bertók
Huge Classic
Very, very, nice. Love this reverb, such a huge classic.
A. Kouvatsis
Amazing
This plugin gives you anything you want! Absolutely professional! Lexicon is everything you want for your instruments or for your vocals!
H. Holzheu
SUPER DING
Er bringt das, was versprochen wird. Genial.
A. Daoutakis
love it!
I happily put this on pretty much everything. Another winning plugin from UAD.
F. Pitlak
Great!
Great EQ, fantastic sound,,,
F. Pitlak
Amazing
Amazing, eq very soft...
A. Daoutakis
Sick
Chuck this on a Synth and revel in the ear candy. Nice smooth chorus with plenty of presets.