UAD Mix Edition
Avis clients
UAD Mix Edition
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P. Goodridge
Brilliant
I have used other software pultecs and these are by far the best.!!!! Game changer on the type of live vintage drum breaks I like to record
D. Docato
Perfect recreation
Lush, warmth, deep... yes it's a Lexicon
I hope to see soon the 480 in native
T. Makaruk
great
very good channel strip
T. Makaruk
great
so warm saturation
C. Domenico
API Vision Channel Strip
A distinctive-sounding, accurately emulated piece of audio engineering that scores with musicality and flexible design options while also sounding excellent. The channelstrip breathes new life into the mix and gives signals both punch and shine. Just wonderful :-)
D. Riesgo
Magic
Top tier saturation and master buss glue
L. Chanda
UAD 1176 Classics
The UAD 1176 Comps are just what I needed.After fully learning how to use an 1176 Comp Plugin or Hardware,it now was time for me to get the Bundle I ve been wanting for a long time.UAD giving us Studio people the native versions just made that possible for me.I just resently got the LA2A Bundle.
M. Bellucci
Fantastico
Plugin stupendo per la voce
K. YILDIRIM
Another classic..
A classic. I have many plugins, I have compressor. LA2A and 1176 are a must. Definitely these two are different. Especially the UAD versions.
K. YILDIRIM
Classics…
A classic. I have many plugins, I have compressor. LA2A and 1176 are a must. Definitely these two are different. Especially the UAD versions.
M. Hill
Unique, versatile and classy
Some prefer the UAD 1176 Classic Limiter Collection or the LA2A Collection, but, if I could only choose one collection, the Pultec Passive EQ would be the one. It's this sort of plugin that makes UAD indispensable. It's unique, versatile and classy. I love it!
B. Shaw
Perfect for my tape delay/slap back bus
I use this on every recording. It’s awesome!
R. Fontolan
quality
This plugin is very high quality
R. Fontolan
quality
the plugins are all of excellent quality
M. Ackert
Perfect!
Die API Vision Channel Strip Collection ist meine Nummer Eins wenn ich einzelne Spuren aufbereite. Durch den API Preamp bekommt jede Spur noch einen knackigen Schub nach vorn. Durch den Compressor und den EQ lassen sich die Spuren dann individuell anpassen um ihren Platz im Mix zu finden.
R. Vargas
as a plate reverb junkie…
this sounds shockingly great for being a more scaled down version. even if you have other things, get this one.
R. Vargas
faithful and lovely
been vibing with this and it just sounds really dreamy and large.
R. Vargas
Syrupy
if you’re looking for a chorus, this is it. a must on rock bass, this thing just sounds great on everything.
J. Karlén
Adds great warmth
This is my goto tape machine
M. WRIGHT
Water The F!!
This review is not about the sounds , which are excellent.
So, UA build a great B3, with a decent Leslie emulator. Bought that, works great. But you can’t feed it an external source. Then they build a standalone Leslie emulator (that’s probably better than the B3 version) that takes external feeds, but won’t work in Console - so bye bye live latency free tracking or performance with guitar.
Tried midi controlling the rotor speed? I have. It’s DOA. After an electric piano on an instrument track in PT, for example, the midi input feeds the piano, but the mod wheel does nothing. If your midi keyboard is controlling an instrument it can’t also control the rotor. Dumb.
It’s as if UA has gone out of their way to extract as much profit as possible from a single simulation…but not even done that properly.
PLEASE
1. Include the Leslie, with external input, in the B3 which loads of us use all the time.
2. Port it to use through Console
3. Sort out the midi implementation
4. Stop rinsing us.