UAD Analog Tape Bundle

I'm in love. Everything gets mixed through this plug now. I love having it on the master buss. I feel warm just knowing it's there, all aglow & spinning. Nice big soundstage, creates that wide extended frequency response you'd expect from Ampex. I'm personally loving these new digital/vintage type tools. the UAD2 Ampex goes on every mix, I don't even have to think about it. Set it & forget it....how did the mix get that much easier to sound like that? Thanks again UA for such brilliant processing.

What can I say? I just love this plug in so much. This one is worth the price of admission alone. How else can you buy a pristine 24 track machine with no repairs or maintenance for $2000? This gets a lot of use in overdubbing when I'm trying to match the MCI tape machine I use for tracking & everything just melts together like you remember it. I really like the ability to easily change tape & calibrations, it's just unheard of in real life to do so fast & creates real tone shaping possibilities. I see on the forums posts saying "do you ever use this thing anymore?" I just don't get it. My answer is YES YES YES! I'll be using this one proudly till my days in audio are done. Thank you UA for making such invaluable tools!

I've never worked with tape, and I don't care if this plugin is accurate to that end or not....this thing just sounds damn amazing in it's own right. I use this thing in a million different ways, and always does it bring a smile to my face!! This combined with the Massive Passive has brought so much joy to my creative endeavors! As someone who cannot afford to spend the big bucks on all the best analog gear, I've found an alternative in UAD that has been a game changer for me.

Purchased this plug-in for a project that had to sound like it was recorded in 1965. Turned up the hiss and squashed the tracks unmercifully and really pleased the client. Thought I might use it again from time to time. But, used with more subtlety it's fantastic to marry tracks recorded at different times or in different studios/locations. Use it as much or as little as needed to get the real tape sound without the hassles of real tape or a real tape machine.

This is an essential mastering tool, now I have the ampex I couldnt imagine living without it. It is what it says that beautiful final polish in mastering.

Amazing, just like the real thing. For drums, bass, guitars, vocals for everything.

The ATR-102 is that huge extra gain at the end of a great mix. I slap it on the 2 buss, turn to look at the clients face, and wait for the jaw to drop. Happens every time. The low end bump, high end clarity, and widening effect just makes it sound right every time. Need a little taming off the top of an ITB mix, just roll the HF screw back a bit and pure analog goodness ensues. Need a little more warmth......, hit the G9 tape roll and get ready for thick city. I pretty much use it on anything, because without it, it just don't have the kick ass factor. I'm not a fanboy for out of the box or in the box discussion. I just know that whatever this is doing, it is making my job easier, and my mixes better.

Hands down the best mastering tape emu on the market. Everything is instantly more round and 3D with the ATR-102 applied on the 2buss. I can't get over the way this plug helps glue things together while enhancing the stereo image. The effect is subtle, but it is instantly missed when bypassed. It is an essential tool on all of my work.

It is the perfect Tape machine. So detailed that you can get the sound you are searching for.. Just perfect

Love it so much i have quit my job so i can use it all day long.

Seems UA will not rest until the stigma of "in the box" music production is eradicated. This plug-in is a stand-out to that commitment. For all of the reasons you'd want a mastering 2 trk reel-to-reel tape recorder (saturation, boost, cohesion), you have the epitome of 2 trks, the Ampex ATR-102, in all its' tweak ability.

I checked the 14-days-demo-version, just for fun.
That was a "mistake", because i was addicted immediately.
Markus Mehr

I checked the 14-days-demo-version, just for fun.
That was a "mistake", because i was addicted immediately.

le top niveau pour le grain anlogique, je ne connais pas mieux, quel chaleur et
rondeur il apporte au mix et meme en mastering, c'est exceptionnel,une fois
mis sur un master de bus ou groupe impossible de s'en passer. une de mes armes
secrete.

I've been using Nebula tape sims for a while and I totally failed to demo the UAD Ampex because I figured that I had enough "subtle" tape sims. And of course the Ampex *can* be subtle but it can also be quite obvious. More so and more pleasingly than the UAD Studer (in my opinion). I use the Studer, the Ampex and Nebula now. Not always all of them on all projects but if I had to choose to keep just one of the three it would definitely be the Ampex.

Looks expensive but finally an affordable and painless solution compared to OTB summing. Good Results with the ergonomics of a plug-in.

I was immediately impressed by after inserting this across my mix buss how the sound took on a certain sheen, presence , warmth and punch !

You can mix into it and use it as channel inserts. It is versatile as it has presets, plus you can play with the imput(clean or distortion), output levels , speed, bias and eq and delay.

If there is one UA plug to buy, imo the Ampex is it !

p.s, plus it gives a little compression variable by input settings so very useful across the mix bus !

Kcat

Probably the most realistic plug-in I've heard so far - and I have a huge number from Waves, and several other excellent companies. Having worked countless hours for over three decades on analog tape machines by Ampex, Otari, MCI, Studer, etc. I haven't been convinced until now. I think UA did a remarkable job with the ATR-102, and the positive quality it adds to my tracks (especially in Mastering) is significant. Thank you for this wonderful addition to my arsenal.

Rafael Carmany
Cobalt Creative Recording Services

After using a DAW for the last 12 years and not getting to use tape, I've forgot how it just glues it all together. I always loved the sound of Bass, Kick, Overheads, and Acoustic Guitars on tape. The Studer A800 was one of my favorite machines to print to as well, UA hit a homer with this plugin. There aren't many plugins that take me back to times in my tracking or mixing but this one did. That Fat Warm Vibe was present after doing a mix with this plugin! The best part about it is you can totally use different formulas for different instruments! Kick on 456 +6 and Acoustic on GP9 +3 Bass on 900 +7.5 that is a great amount of flexibility that the analog world can't give. UA is a great company that moves to get better and better. WELL DONE

All I can say is WOW! Just got it, fired it up and did a couple of vocal tracks just fooling around (like testing) and again, WOW! I CAN'T WAIT to get serious with this plug-in! I would give it 10 stars, if I could (or a hundred, a thousand, whatever!).

In the late 80's, the studio where my group and I used to record had two of these machines (and a Trident console). There is NOTHING like 'em!!!

I also can't wait to get the 2 track, analog tape recorder plug-in from UA. I read about it and saw the demos and I'm ultra jazzed about that one too!!!

EB
From The Hip, Inc. Animation Studios
:-)