UAD Analog Classics Pro Bundle
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Analog Classics Pro Bundle
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R. CUI
OK
OK
K. Hoang
Great Comp
Great
D. Mirny
Classic sound of 1176
The real deal. Emulated with so much details in sound it’s just amazing . Best compressor out there ! Great job UA!!!
.
Add that Magic Dust!
Up until the point of trialling the Pultec Collection, I had always preferred using Graphical EQs so I could see what was going on. The big mistake, of course, in using these type of EQs is the tendency to rely too much on what you see rather than what you hear. Being all knobs and switches, the Pultec took me back to using my ears and, boy oh boy! As good as the EQs were that I was using, I instantly knew I couldn't achieve the kind of results from them that I was getting from this collection. Absolutely delicious on Acoustic Guitar and Bass especially when combined with the 1176 Classic Limiter Collection.
C. Jaeggi
And then she smiled...a little cheeky ; )
J.Korhonen's review said it best.
I agree with T.Hansen also. Vocals are amazing here too! : )
Who said you can't buy love? Ahh, the Beatles...hmm, but what did/do they really know anyway? : / LOL
A little pissed off too actually. I don't want the whole world to become digital. But...dang...THANK YOU! UA team is the best, they just are.
Lotsa luv from me to you : )
Ok, next song
K. Hershman
Rev E
I have 4 Rev E's next to me every day at the studio but I constantly reach for this. The weight these add to a vocal or drum sounds so close to the hardware unit
C. Parker
That sound you’ve been looking for
Ever felt like your recorded vocals were missing something? Well that ‘something’ is the Teletronix LA-2A.
Being a diy musician is tough but with having the LA-2A, you can relieve some of the stresses that are often found during the mixing process. It provides a smooth and warm characteristic to the vocals giving you that ‘Radio Ready’ sound that
you’ve been looking for.
D. Formula
Welcome to classic compression/limiting
Remarkably faithful recreation of these beautiful and characteristic units.
E. Bureau
Upgrade to the pro!
I've been using the legacy version for some time and really liking it, especially on vocals. The updated version sounds way way better than the legacy version. I demoed it for vocal recordings, and first thing that hit me was how 'classic' a sound that was. Instant buy after that. Exactly how it should sound, and how I recognize it from countless 60s records. I was running a U67 into the Neve Preamp plugin, then into the Teletronix and then on tape, committing everything on the way in. You're never afraid to commit to a certain sound, when it sounds so classic! It's also great on acoustic guitars. Between this the Fairchild 670/660, and tape-compression, I don't think that I will ever need another compressor.
E. Bureau
Upgrade to the pro!
I've been using the legacy version for some time and really liking it, especially on vocals. The updated version sounds way way better than the legacy version. I demoed it for vocal recordings, and first thing that hit me was how 'classic' a sound that was. Instant buy after that. Exactly how it should sound, and how I recognize it from countless 60s records. I was running a U67 into the Neve Preamp plugin, then into the Teletronix and then on tape, committing everything on the way in. You're never afraid to commit to a certain sound, when it sounds so classic! It's also great on acoustic guitars. Between this the Fairchild 670/660, and tape-compression, I don't think that I will ever need another compressor.
E. Bureau
Upgrade to pro!
I've been using the Fairchild 670 Legacy as my go-to compressor ever since I started on the UAD platform. Recently changed to the pro-version, and it just sounds much more real. The added feature-set and the inclusion of the 660 is also really appreciated. It is really a great sounding piece of gear, and I prefer the emulation of this over most hardware-compressors I've worked with. I never had the chance to work in a studio where they had a real Fairchild, but when that day comes I will have completed my training in the 'simulator'. Until then, I choose the 670 over almost every other hardware compressor. My UA 1176 hardware comp for example haven't seen much use since I got into the 670/660 plugin. It's glorious on bass, superb on the drum-bus and really nice for mastering.
E. Bureau
Upgrade to pro!
This plugin is a no-brainer. The legacy version has pretty much become my go-to EQ since I started on the UAD platform. Super musical and creative but at the same time easy to work with. I recently upgraded to the pro version, and the difference is really substantial. It really sounds great on anything. If I want the EQ to give less 'color' to the source, I sometimes still use the Legacy-version (or a different EQ). But usually the pro version is an improvement to what-ever is fed into it. The added output-gain is super useful for gain-staging between the plugins and the addition low/high cut-off filter plugin is also really helpful, and I end up using it surprisingly often.
l. ray
Fairchild tube limiter
une fois de plus je suis surpris par la qualité de vos plugins. J'adore ce plugin, je l'utilise énormément et Je ne vois pas pour le moment de problème majeur. C'est le jour et la nuit, pour mes mixes. Une fois de plus ....super! merçi.
H. Holzheu
SUPER DING
Er bringt das, was versprochen wird. Genial.
C. Gomez
Simply amazing
Once you get to know these gear, You will really change the sound of your mixes. Excellent UA. You are making my life easier.
M. Diaz
Sean Production Gram Pultec Passive Eq
Pultec Passive Eq es uno de mis favoritos EQ. Puedo trabajar diferentes cosas como voces. Baterias, Kick, Snare, en fin casi todo y al final tener un resultado mayor al que yo esperaba.
E. Wang
It is my necessary tool
This is one of the eq tools I have to use, and I really like this eq plugin. Always classic. . The uad version is better than other versions and the dyeing effect is better. awesome!
C. Mayr
Must Have....
My "To Go" for Vocals and Acoustic Instrument, like Guitars, Cellos ect. Also for some Bass Tracks if I want more smooth compression.
R. Gun
What should i say, anyone likes it
For my ears the gray-beige one sonds best. The other two ones are ok.
Would be much nicer if there is only one plugin that can be switched over or behind a hidden panel there where dials. And a little more tube sound please.
As always the plugins are bandlimited (the non legacy one)
B. Rainsford
Essential software
Been using this for a week or so and it has become an essential insert onto all of my guitar tracks. using it with Slate VMR and a tape emulator it still manages to add a warmth and depth to guitar tracks that really glues the sound into the overall mix.