AMS DMX Digital Delay & Pitch Shifter
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AMS DMX Digital Delay & Pitch Shifter
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H. Summers
At last! But… where’s the ‘lock in’? We all love a lock in!
For decades, I’ve loved the sound of the hardware AMS DMX 1580S and having the hardware in my rack is great… however, I’ve always felt it would be great as a plugin. The hardware is a little unreliable these days and they’re getting difficult to service. I didn’t even bother demoing this but bought it straight away in the day of release. After a few hours of playing, I’m thrilled to find all of that great mojo and character that makes the hardware so desirable, is present and sounding as good as ever in UA’s rendering. My only comments on the negative are that the harmoniser introduces an extra latency/delay just like the original. This can make the tempo sync’d delays sound out of time. If possible, I’d love the option to turn this authentic latency on or off. My other question is where has the ‘lock-in’ switch gone? I can’t seem to find it anywhere. Being able to lock in a loop and alter the pitch manually is one of my favourite ‘tricks’ on the AMS. In a future revision, it would be a wonderful thing if a feature could be added to allow midi control of the pitch shifting from a keyboard, so we could lock in a loop and ‘play’ it from a midi keyboard. The tonality of the pitch shifting (when pitching down) is gorgeous. It would be amazing if we could get better access to this aspect as described above.
I’m summary, thank you UA for bringing this unmatched piece of legendary hardware into the software realm. Even with my small points above, this is still a five star plugin and will be in most of my mixes from now on!
r. belaich
C est du bon !
Je viens de l acheter mais je l aime déjà !
Super micro pitch delay, enveloppe et même les répétitions plus longues.
Bravo Uad
W. Shanks
Prince's muse, Brian Eno's enabler, Radiohead's sixth member (and you thought it was Nigel!)
Perhaps a bit of an overstatement, but the DMX 1580 definitely had a direct influence and impact on these artist’s creative direction, and might be considered fundamental to periods of their recorded sound. Once you begin to explore the DMX, you’ll recognize its distinctive sound and sheer prevalence. I think with the release of this plugin, we will see just how much more it has to give to artists and their music in the world. The DMX may not be as intuitive as other gear, but once understood, pays off in a huge way—and does things no other design can. DMX units are difficult to procure and even more difficult to maintain; There are only a few people on the planet that know how to keep them running as they should. It is a joy to be part of the curation and preservation of the design pinnacles of recorded history through Universal Audio’s plugin platform, and the DMX is yet another perfect example of this. Congratulations to AMS and UA.