UA Blog

Vance Powell nous dévoile ses techniques de prises de son et revient sur sa capacité à capturer la créativité à l’instant T avec sa célèbre signature sonore, grâce à des placements de micros audacieux et, bien entendu, les plug-ins UAD.

From its humble origins in a tiny London drum shop to its ubiquity today as the most recognizable and time-honored face of heavy rock, the Marshall brand is built on over 50 years of use by the players who’ve defined a genre. Learn the differences between Marshall amps of various eras, and how they offer their own take on classic British rock tones.

Watch producer/engineer Joel Hamilton (Tom Waits, Pretty Lights) record Lyrics Born through the Apollo interface and Unison™-enabled UAD Powered Plug-Ins as they perform the track, “Don't Change”

Learn how producer Steve Mackey (M.I.A., Florence and the Machine) used an original, and rare, Bill Putnam-designed UA 610 console — along with Apollo interfaces — on Arcade Fire's album, Everything Now.

In this Apollo Artist Session, watch Grammy-winning engineer/producer Vance Powell (Jack White, The Dead Weather) track and mix Marty O’Reilly & the Old Soul Orchestra exclusively through Apollo 8 High-Resolution Interfaces using Unison™-enabled mic preamps at the SF Music Expo.

The Console application is the key to unlocking your UA Audio Interface's unique Realtime UAD Processing capabilities, allowing you to insert and control UAD plug-ins, route and monitor audio, and more.

Producer/Drummer Joey Waronker Tracks The New Pornographers' A.C. Newman with Apollo Interfaces and its included Realtime Analog Classics Bundle.

In this Apollo Artist Session, watch producer/engineer Jacquire King (Kings of Leon, Tom Waits) record electronic soul singer Jamie Lidell and his band through the Apollo interface and Unison™-enabled UAD Powered Plug-Ins as they perform “Walk Right Back” at Nashville’s Blackbird Studio.